I Watched Top Gun: Maverick For The First Time, And I Did Not Love It As Much As Others

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SPOILER WARNING: The following article may give away a few crucial details from the plot of Top Gun: Maverick. If you have not yet seen the blockbuster sequel, I recommend you proceed with caution as you take off.
I recently caught an early screening of F1, which is a car racing movie from director Joseph Kosinski and starring Brad Pitt that critics have been calling “a hell of a ride.” I certainly share that sentiment, which is why I decided to finally check out the film that Kosinski is best known for, Top Gun: Maverick.
AdvertisementAdvertisement#«R15ekkr8lb2m7nfblbH1» iframe AdvertisementAdvertisement#«R25ekkr8lb2m7nfblbH1» iframeYes, you read that right. I am not one of the millions of people who contributed to the Academy Award-winning blockbuster’s record-breaking box office success in 2022, mainly because, even as an admirer of the original classic ‘80s movie set at an elite Naval pilot training program, I was never curious about what happened next in the life of Tom Cruise’s daredevil pilot. Well, I can say that I am happy that I gave the film a test drive, but I must also make an admission that I am sure is going to put me in hot water: I don’t think the movie is “the best of the best,” or at least the masterpiece so many others have made it out to be. Allow me to explain…

Top Gun: Maverick Is A Technical Marvel
First things first, let’s get into what I did love about Top Gun: Maverick, which is the same thing everyone loves about the film: the mind-blowing cinematography and visual effects. I am a sucker for movies that use practical special effects, especially at a time when Hollywood is shamelessly reliant on computer generated graphics. For that reason, I believe this film is not only an important footnote in modern cinematic history but also nothing short of a miracle.
Knowing that the flight sequences were achieved by strapping cameras onto actual fighter jets and that the Top Gun: Maverick cast trained for months to actually perform their scenes in the air makes the already beautifully choreographed action especially exhilarating. It is for that reason I also enjoyed F1, which utilizes the same filmmaking technique by strapping cameras onto moving Formula One racing vehicles, and why I believe Joseph Kosinski is one of the most important filmmakers of his time for his dedication to creating the most authentic and immersive cinematic experiences possible.

I Think The Script Is Pretty Subpar
I also believe that Maverick and F1 are similar in the sense that, while their visual effects are incredible, I would not say the same about the stories they tell. The sequel to Tony Scott’s 1986 action movie classic has a good setup – Maverick is recruited to train a group of young daredevils to complete a seemingly impossible mission – and effectively raises the stakes far higher than the original, especially when he and Rooster (Miles Teller) become stranded behind enemy lines. Forgive me, but I just wish there was more effort put into the rest of the screenplay, too.
AdvertisementAdvertisement#«R1eekkr8lb2m7nfblbH1» iframe AdvertisementAdvertisement#«R2eekkr8lb2m7nfblbH1» iframeI was never bothered by the ways Maverick recreates iconic scenes from the original, such as Rooster’s cover of “Great Balls of Fire,” or the tribute to the volleyball match with a game of beach football instead. However, I was bothered by its many cliches – such as Maverick constantly putting himself at odds with his superiors or his struggles to mentor a younger pilot who lacks respect for him (Rooster) – and cheesy dialogue recycled from countless other films.
I believe it deserved most of its Oscar nominations, but I am genuinely shocked that the script – co-written by Transformers: Age of Extinction scribe Ehren Kruger – was up for Best Adapted Screenplay.
All things considered, there is a part of me that regrets missing out on experiencing Top Gun: Maverick’s visual brilliance when it was still playing on the big screen. Granted, I projected the film (available with a Paramount+ subscription) onto a 150-inch screen in my home theater equipped with a top-notch sound system, but I realize that it is still nothing like the real thing. I plan on not making that mistake when Top Gun 3 hits theaters at some point.